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De la fascination à l'idol​â​trie

from Un doux r​ê​veur dans. Homme Sauvage dit. by Vincent Berger Rond

/

about

2011

lyrics

Louis was wondering
if he loved
he
should in all cases
be with someone

A smile
came easily
in group they
were
satisfied too
lost
in the
futility of
chatting around
To hold one
conversation with
someone during
more than one
minute

his own expression
like a lie
that he loved to keep
to make a parody
out of the truth
and then get
rid of it
virtually

This tended to transform
through out
sensorial experiences
and acquaintances
of diverse
degrees often
incompatibles

if he
was looking for more
deepness to life
than it really had

to exaggerate consciousness
to simulate
excitement
of features
that he knew since ever
were borrowed
without having these precisely
identified
as our own

Who could really
pride oneself
of owning
a FEATURE
character

good to him

A person or
a loyal being
to the death of other
in complete fulfillment
of your own eccentricity

He recognized his smile
His mouth was dictated to him
to change oneself when this would
in a situation arranged
to be hated and
twist our mind
even more

all of this..during...
our days
left

We searched in him
he refused himself
he thought he understood
that it would only be given
if he accepted
to completely negate

a friend to him once
(told from conviction)
purely pessimistic and cold distant
almost without
human
emotion

a failure in elocution
vaguely evokes
this initial conversation
with Louis

credits

from Un doux r​ê​veur dans. Homme Sauvage dit., track released May 30, 2011
Vincent BergerOn, 2011

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Vincent Berger Rond Montreal, Québec

La musique (fragments, vent et virtuel), la littérature vocale et les vidéos du Berger Rond (2003...) se forment de courts extraits remplis de sens
et qui exigent toute l’attention peu habituée au brouhaha.
spectropolrecords.bandcamp.com/album/il-y-a-seulement-des-apparitions ... more

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